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Is Marc Cohn a one-hit wonder? The answer, in a word, is “yes.” That being said, Walking in Memphis is a noteworthy accomplishment for a man who has spent most of his career steadfastly under the radar. To his credit, Marc won a Golden Globe Award in 1991 for Best New Artist. Now, well into his fifties, Cohn is still touring with an ambitious schedule ahead in 2023. Working on this song made me wonder: What made Elvis Presley so popular? In case you may be wondering too, here's an article that helps to explain it . Here’s my cover of "Walking in Memphis."

The songs that stay in our minds the longest don’t always have the most profound lyrics or melodies, nor are they performed by the best singers. These elements are, of course, important. But in the final analysis, it’s often the songs that perceptively explore the emotions and situations of the human condition that live on after their writers are gone. There is one song that has been covered by major musicians and vocalists of the past two generations, and it played a pivotal role in helping its writer forge a career as a performing artist as well as a writer. Tom Paxton released "The Last Thing On My Mind" in 1964 on his album, "Ramblin' Boy." The inspiration came from blues virtuoso Dave Van Ronk's version of "He Was A Friend of Mine." This lost love ballad became one of Paxton's biggest hits. He is also remembered for his protest songs against the Vietnam War. Here's my cover. #songwriting #lostlovesongs # breakups #lookingbackonlove #Acousticguitarwithvocal #hitfolksongs #sixtiesmusic

"Pluck" is the word that comes to mind when I think of Nanci Griffith and her music. In terms of stature, Nanci can be described as diminutive, or perhaps petite is a better, if overused, description. Ironically, the essence of Nanci Griffith is anything but small. She imbued her songs with a crystal clear, powerful voice and confident stage presence. In her simple way, Griffith is remembered as a giant among country and folk singer/songwriters. With twenty-four albums released from 1978 to 2002, Griffith has left a lasting impression on an art form she once described as "folkabilly." Nanci's music merges the elegant folk of her early years with the folk-rock of her later years. I've covered many of Nanci's songs on this blog, including this latest, "Trouble In The Fields." It's a penetrating and beautiful song inspired by Griffith's recollections of her great-grandparents' struggles with drought and hard economic times during the 1930s. "Trouble In The Fields" is dedicated to Nanci's great aunt and uncle, Nettie Mae and Tootie, farmers for eighty years near Lubbock, Texas. Here's my cover.

In a 2009 interview, Cat Stevens (by then Yusuf Islam) is quoted as saying: "I was on holiday in Spain. I was a kid from the West End of London. I never got to see the moon on its own. In the dark, there were always streetlamps. So there I was on the edge of the water on a beautiful night with the moon glowing, and suddenly I looked down and saw my shadow. I thought that was so cool; I'd never seen it before." The song is about finding hope in any situation, of being present and joyful. With the simplicity and joy of a child, Stevens writes about seeing life as it is in the moment, and not comparing it to others' lives or other times in an individual's life. Moonshaw is a beautiful song expressing the idea that every moment in life is rich and unique. Whether we are aware of it or not, Stevens is saying, we are always "leaping and hopping on a Moonshadow" every second of our existence. He cautions against becoming too preoccupied with our worries and concerns about what could be or what has been, and consequently missing the richness of life as it is. Here's my cover played in the artist's style.

Like many of us, Don McLean suffered through difficult passages in his life, many of which are reflected in his music. He wrote and recorded “Empty Chairs” when his marriage was failing. Despite the subject of lost love, I feel there is incredible beauty in the lyrics and the melody, and Mclean’s unique guitar style. Although the subject is mentioned just once in the song, McLean chose the symbol to sum up his feelings and state of mind at the time. The title is inspired by Vincent Van Gogh’s paintings of empty chairs. Mclean sympathized with Van Gogh and admired his paintings as revealed in his song “ Vincent ” recorded on the same album: “ American Pie .” I’ve re-recorded “Empty Chairs” with a better guitar and some improved technique. Please enjoy listening. #brokenheart #DonMclean #acousticguitar #guitartechnique #loneliness #solos #guitarsolos #fingerpicking #beauty #popmusic #relationships #vocals #love #singer #songwriter #beautifulmusic #guitarcovers #VanGogh #AmericanPie #VanGoghpaintings #singing #VincentVanGogh #guitarplayer

John Fogerty wrote “Have You Ever Seen The Rain” about his brother, Tom Fogerty, who left Creedence Clearwater Revival in 1971 at the apex of the band’s popularity. The departure of his brother was a sad time for John. Eventually, the hurt healed, and the meaning of the song changed. In Fogerty’s own words, “This song was originally written about a very sad thing that was going on in my life. But I refuse to be sad now. These days, this song reminds me of my little girl, Kelsy, and every time I sing it, I think about Kelsy and rainbows. “Have You Ever Seen the Rain” is another song that emerged unexpectedly from my subconscious. The song bounced around in my head until I played it. Here’s my cover.  #AcousticGuitar #Vocals #FolkRock #CreedenceClearwaterRevival #GuitarAndVocalSolos #Songwriters #songwriting # BluesMusic #FolkMusic #CountryMusic #1970sMusic #HitSongs #JohnFogerty #TomFogerty #NewOrleansMusic

Here’s another Gordon Lightfoot tune that may not be as recognizable as many of his other songs that I’ve covered here. Somehow, “I’ll be Alright” crept into my consciousness, and I’m happy to offer my cover of the song in this post. To me, the song is as lovely and memorable as many of Lightfoot’s hits, including:  “If You Could Read My Mind,”   “Early Morning Rain,”  and  “Song For A Winter’s Night.” Please enjoy this remembrance of the one and only Gordon Lightfoot. Acoustic Guitar And Vocalist In Concert

Acoustic Guitarist In her brief lifetime, which was cut short by Leukemia, Kate Wolf became a major influence on the folk scene with songs like “ Give Yourself to Love ,” “ Across the Great Divide ,” “ Green Eyes ,” “ September Song ,” and many more. Kate’s audience has continued to grow since her unfortunate passing. As an example, I found her late in my life. Here's my cover of “Green Eyes.” Beautiful Woman With Green Eyes acoustic Guitar, love, relationships, songwriter, recording artist, Kate Wolf, folk music

"Girl From The North Country" is another one of those songs that popped into my head from out of nowhere. I can't decide if it's a message from the Beyond or just a little piece of my subconscious rising like a sunspot from the deep layers of my skin with aging. Whatever the case, "Girl From The North Country" is one of Dylan's earliest recorded songs, written in England in 1961 and released in 1963. Listening to it now, I find the ballad enchanting. As a young adult, I followed Dylan's work tangentially only because it was prominent in the mainstream. Lately, I've developed a deep appreciation for Dylan's music and the man himself. I've covered several Dylan songs in this blog, including "Mr. Tambourine Man,"   "My Back Pages,"  and now this one. "Girl From The North Country" is a beautiful ballad recounting a lost love. Many believe the woman in the song is Suze Rotolo. At the time, Dylan had just dropped out of college to pursue his musical career in New York City. Rotolo had just graduated from high school and entered the Greenwich Village folk scene. Their first meeting took place at the First Riverside Church concert in New York City. Dylan described the meeting in his memoir: "Cupid's arrow had whistled past my ears before, but this time it hit me in the heart, and the weight of it dragged me overboard." Eventually, the couple lived together in Greenwich Village and then grew apart when Dylan went to England, and Rotolo went to Italy to continue her education. After some time passed, Dylan went to Italy to find Retolo. At the same time, Rotolo returned to New York City. The couple finally reunited and lived in Dylan's apartment until their final breakup. The album cover of Dylan's second album, Freewheeling, features Dylan and Rotolo walking arm in arm down a Greenwich Village street. Here's my cover.

Born to Jewish Hungarian parents in Brooklyn in 1941, Paul Simon grew up to be one of the foremost musicians of our time. He is best known for his albums with childhood friend Art Garfunkle, but I believe Simon’s solo work is where he really shines. “American Tune” is a fine example. With its melody, guitar picking, lyrics, and overall artistry, the song comes together as a masterpiece. “American Tune” expresses the recording artist’s political disappointment in the early nineteen-seventies. The nineteen-sixties bloom of racial equality, love, and peace had already blossomed and faded. While my favorite recording artists continued to produce heartfelt, meaningful, and exquisitely beautiful folk and folk rock music, America’s social and political evolution stalled. With the election of President Richard Nixon in 1972, the glowing hope and ideals of the prior decade receded into the background. Paul Simon artfully captures the undercurrents of this period in this remarkable song. Despite its melancholy tone, I am deeply moved by the beauty of the words and music. “American Tune” popped into my head unexpectedly and without warning. It literally came “from out of nowhere.” I think it did because we are about to take another evolutionary step backwards under the Trump administration. Please enjoy my cover of Paul Simon’s moving song.

The Incredible String Band burst onto the folk music scene in 1966 with the release of their first album, aptly named “The Incredible String Band.” As an avid lover and consumer of folk, I had never heard anything like their songs. The band started out as a trio composed of Clive Palmer, Robin Williamson, and Mike Heron. Williamson and Heron composed most of ISB’s music. Palmer eventually dropped out, replaced by other musicians and the girlfriends of Williamson and Heron. Signed by Electra Records, the group produced seven albums for the label, most notably their first four, which included “The Five Hundred Spirits or the Layers of the Onion” and “The Hangman’s Beautiful Daughter.” Through intermittent tours and appearances at prestigious venues like the Albert Hall, The Incredible String Band gained worldwide fans and international recognition from their humble beginnings in Edinburgh, Scotland. Listen to Mike Heron’s lilting, whimsical “Painting Box” to get a sense of The Incredible String Band’s multifaceted musical range. Here’s my cover.

Nanci Griffith introduced her third album with its title song, “ Once in a Very Blue Moon, ” on the Austin City Limits TV show in 1984. She sang to a live audience with her typically bold and beautiful voice, which continues to endear this singer/songwriter to millions of people around the world after her passing. This poignant song could easily sound sad, but not the way Nanci performs it. With her crystal-clear voice, it actually sounds uplifting. A quality comes through Griffith’s songs. It sounds to me like “nothing will ever get me down.” I’m sure Ms. Griffith endured many hardships and obstacles in her life, but she always came out on top. I dedicate my cover to the memory of this inspiring woman.