Review Source: Midwest Book Review, Diane Donovan, e-Book Reviewer
There's a relatively new but rapidly-expanding genre on the market called “urban fantasy,” that has as its older sibling the vampire novel, born of Anne Rice's first book decades ago and now a genre in its own right. And then, there's the classic vampire struggle between darkness and light—a struggle that immerses unwitting victims, vampires, and survivors in a world dominated by blood-lust.
With so many vampire novels on the market today, one could wonder at the need for yet another; but Scarlet Ambrosia is a vampire story of a different color, seasoned not so much by the drama of blood-letting as by the more universal themes of self-discovery, human nature, and redemption. Ultimately this is what makes or breaks any genre; especially one such as the urban fantasy or vampire story, which too often tends to eschew self-examination in favor of high drama. And this is just one of the reasons why Scarlet Ambrosia stands out from the urban fantasy genre crowd.
Sure, protagonist Devon's outward battle is against an ancient evil vampire, Egon Schiller, but it's also against himself. Devon is no stranger to the dark forces within him after years of therapy, but the darkness he's confronting now proves far beyond his wildest dreams.
Scarlet Ambrosia's inner light shines forth: a light that starts with Devon's inner world and expands to embrace the wider concern of disappearances on the city streets.
This part is predictable as Devon confronts an undercurrent of blood lust and vampires in Miami's underworld. What is less predictable is his foray into the drug world in search of evidence that will support an international investigation into one of Egon's illegal activities, fostered by his encounter with the sly, alluring Mathilde, who harbors her own secret agenda.
There's a suggestion of romance between Devon and Mathilde that's evident from their first encounter but which is suppressed in their growing focus on greater goals, which are developed as the quest progresses, as evidenced in Mathilde's statement:
"Vanderling fears what Schiller will do every day he roams the earth more than he fears what might happen to us if we fail.” “It’s ironic how Schiller’s existence can matter more in the scheme of things than yours or mine,” he said. “When we first met, I told you I could handle Egon. That was another lie to help you feel more secure in your new situation."
There is acknowledgement of the forces of light and darkness that occasionally rise up, unfettered, to try to take over individuals and the world. And as Devon becomes involved in kidnapping and worse, he finds all facets of his life are called into question with a series of decisions that reach out to affect even his relationship with his beloved parents.
As lies, secrecy, and murders build, Devon finds himself paying for the bad decisions of others, and must come to admit his own inner nature before he can make a proper decision on honing his skills for either greater good or evil.
The web of lies builds and threatens to immerse everything Devon holds dear, eventually spilling over into something greater than he's ever known.
Scarlet Ambrosia is not your usual vampire story. Its intrigue, romance, and thriller writing are all wrapped up in a bigger picture. It offers much food for thought in the course of following Devon's evolutionary process and decisions, and it's not a light-hearted romp through a vampire's realm, as so many such novels provide.
As such, it's especially recommended for readers seeking more depth and undercurrents of philosophy in their literary choices. How does a protagonist not become the evil he fights in the process of battle? The classic vampire struggle between darkness and light just assumed a new cloak of complexity here—and wears it well.
Three Days to Darkness
Review Source: Midwest Book Review, Diane Donovan, e-Book Reviewer
The magic number is three. Three days to save the world. Three people to help Darius McPherson succeed. And three important life lessons to learn in the process.
The setting is a war being planned in Heaven itself by a reluctant warrior too young to be in Heaven in the first place, and the mission involves saving humanity from its own follies: no mean assignment for a young man killed in a drive-by shooting and suddenly tasked with saving the world.
Three Days to Darkness is about magic on many levels: the incongruity of Heaven and its purposes, the absurdities of Mankind, and the passionate concerns of a boy faced with apocalypse on a scale that moves beyond singular death and into the destruction of humanity itself.
As if this wasn't enough, add demons and a road that literally leads to Hell (albeit paved with good intentions) and you have a fast-paced thriller novel that defies the usual genre definitions of fantasy, thriller or action piece and creeps into the realm of the impossible.
Three Days to Darkness darkens rapidly as Darius investigates company clinical trials, angel operatives, and deadly courses of action, spicing his approach with a cocky blend of offense and defense that presumes a degree of training he actually lacks: "Crooking his arm, Darius lifted his hand just below chin level with all five fingers splayed. He reminded himself of David Carradine as Caine in a “Kung Fu” TV episode. A more experienced angel operative would certainly prepare to attack with “way more” subtlety, he figured."
Doses of humor are tossed in for effective comic relief as Darius questions why a Heaven governed by the concept of free will would intervene in the affairs of man - and why it would choose to do so for one event and not another: "Darius sat perfectly still for a while with his hands in his lap before speaking again. “I’m confused,” he said with a solemn expression. “On the one hand, you say everything that happens to a man is the result of free will, and on the other hand, you send me to Earth to stop a pill from going on the market. I don’t get it.” “Good observation, Darius. It sounds like a contradiction, but it’s more like a distinction. We have to pick our fights carefully. We try not to interfere with the operation of human free will. We sat by and watched in horror, for example, when Roman soldiers crucified Christ and terrorists flew commercial airliners into the Twin Towers. But there are times when we must take action, when a worldwide catastrophe could result from human failure, to put it in a shorthand manner. We intervened during the two world wars and the Cuban Missile crisis, to cite a few recent cases. We have also been involved when the psychological, moral or spiritual evolution of the species is at risk. A literal example of such a case was our influence on the outcome of the famous ‘Scopes Trial.’”
What lessons will Darius learn in his latest incarnation as a new angel? He has only three days to absorb them - or witness the end of all days.
Three Days to Darkness is a fast-paced, vivid read that incorporates all the elements of a superior mystery, thriller, and fantasy. It's certainly not a portrait of a predictable afterlife, a conventional Heaven, or a banal post-life mission. All these facets merge to create a uniquely involving story blending amusing moments with engrossing encounters between disparate forces; each with their own special interests and agendas.
And Darius? He's in it for the ride, and takes readers along with him in an unexpected journey through Heaven, Hell, and beyond.